Tom Malenski Benefit @ Ottobar Tomorrow

So far this blog has been silent on the murder and attempted murder which occurred outside the Ottobar two weeks ago. There’s not much that we can say that isn’t very plain: the attack was shocking and horrifying, the guy who did it was a complete scumbag with a long criminal record, and while we’re glad he was apprehended by police very quickly that’s very little comfort to anyone associated with the bar, or with the scene in general.

We didn’t know Tom personally, but part of what’s so unsettling about his death is the knowledge that it could have been any of the several friends we do have working at the bar. It could have been anyone at the bar as a patron, too. That’s the thing about this sort of senseless violence: it’s completely unpredictable and can happen to anyone at any time. You do the right thing and tell a jerk to stop acting like a jerk and another jerk runs up and murders you for it.

Tomorrow the bar will be hosting a day and night of fundraisers and tributes to benefit the Malenski family. We encourage everyone who’s a part of Baltimore’s music scene in any capacity to pay a visit at some point tomorrow, even if you didn’t know Tom personally or very well. Even if you can’t stay long, stop by, put a few dollars in the hat and have a drink. Be there and help the friends you do know. It’s important.

We also want to mention something else here that’s important. After thinking a lot about this and also about Travis Jackson’s sudden death in January we’ve decided to be proactive and buy a life insurance policy. While benefit shows and crowd-funding websites are an amazing way to give support and make difficult times a little easier for families, they’re not a dependable or sustainable way to deal with the expenses and challenges associated with a sudden death.

Life insurance isn’t very punk. But at the end of the day punk rock is kid stuff and we’re a grownup whether we like it or not. We’re happy and proud that the bar is able to step up and do things like tomorrow’s event, and we’re encouraged by the generous financial outpouring from the scene as a whole. But for us the most important thing we’re taking away from this tragedy is that when we go, we want to be sure our family can settle our affairs easily and independently.

The Best and Worst of Baltimore Buses

Did you know that the Charm City Circulator routes include boats as well as buses? They do. While this isn’t exactly a new development it did come as news to the Chop that the Harbor Connector is now two routes stopping at four points total as opposed to the one route stopping at three points that was operating when the service began. Whether you knew any or all of this or not the point is that the Harbor Connector is easily the most enjoyable and least publicized transit option in town.

Another pleasant surprise we learned this week is that the Harbor Connector has graduated from jolly boats and is now running legitimate ferries that can and do accommodate bikes. Boats run from 7 am to 7 pm Monday through Friday (except between 2:30 and 3:30 when they are fueling). Now that we know this, we’re kind of in love with the Harbor Connector and will probably use it on every trip we make that requires going around the harbor. Here’s what a trip from Pier 5 to Harbor View looks like in a time lapse photo.

Oh and speaking of the Circulator we’re going to go ahead and use this as an opportunity to comment on this week’s Sun article about city council president Jack Young proposing a $1 fee to ride the Circulator.

This is an absolutely atrocious no-good very bad terrible awful loathsome idiotic idea that should cause all people who live anywhere near downtown to rise up as one to shame, jeer and excoriate Jack Young with the sort of pure indignation and contempt not seen since Bob Irsay Sheila Dixon Denise Whiting.

Jack Young has no idea what it’s like to ride a bus. None. Zip. Zilch. He is completely clueless. We would venture to guess that young has never ridden a bus, either Circulator or MTA, and if he has we’re sure he hasn’t done so in years. If he had he would know that crime on MTA buses is a continual problem which only seems to be on the increase. While it may only be violent beatings or worse that rate any mention in the news, smartphone theft is an almost epidemic problem on Baltimore transit. We’ve even heard stories of criminals stealing bikes right off the racks on the front of MTA buses (lock your wheel to your frame and sit near the front.)

On a ride of any distance on a fare-paid MTA bus riders are constantly reminded via recorded audio messages and public service ads that transit is dangerous and they are targets for criminals. That is the overarching customer service message from the MTA. Don’t get robbed. We really wish we were kidding about this. We’re not.

In addition to the signs reminding you not to get robbed there are also signs for all kinds of other rules of course; no eating signs, no drinking signs, no loud music signs, keep your voice down on your phone, keep your arms inside the bus… but for as many rules as the bus has it might as well not have any rules. There’s no enforcement at all.

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These two junkies were kind enough to hold their heads up long enough to be photographed before proceeding to nod off and splay themselves all over the aisle and neighboring seats. The driver let them on the bus no problem, and of course paying the fare was no deterrent even to these two, so far gone on dope they can’t remember their own names. To be fair to the driver we assume there’s no ‘you can’t be high as shit on heroin’ rule on the bus but maybe there ought to be, eh Jack Young?

Mind you, being high as shit on heroin is not an unusual occurrence on an MTA bus. You can’t hardly ride one without finding a junkie in a greater or lesser degree of fugue, or making their merry way to a methadone clinic. There’s even a whole subset of mobile entrepreneurs who make it their business to sell lollipops or jolly ranchers to these people both at bus stops and aboard the buses themselves. Junkies love sugar.

We say ‘subset’ of course because the lollipop man is one of many people using buses and subway cars as their own personal flea markets. On the same bus as those two junkies pictured above there was also a guy not shy about offering porn videos and sex toys for sale. Body oils, maxi pads, headphones and small electronics, socks, gloves and umbrellas… anything and everything that can either be stolen or bought cheaply in bulk is now available aboard a Baltimore city bus.

Are there homeless people aboard MTA buses? Yeah. There are. Being homeless doesn’t necessarily mean you don’t want or need to get across town sometimes. If you want or need it badly enough you’re going to scrape together $1.60 in small change. Or just get on at the back door. Is the driver going to come all the way back there? Probably not. A $1 fare will not make the homeless magically disappear from the Circulator forever either.

But we kind of wish it would if we’re being completely honest. That sounds like a totally snobbish and horrible thing to say and it probably is but you know what? We would enjoy bus rides more if there were no homeless people, no junkies, no hustlers, no one so morbidly obese they take 3 seats and no one with face tattoos.

Does the Chop, as a bus rider, think he’s better than anyone else? Where do you get off so high and mighty, judging your fellow passengers, buddy? Well you know what? We’re just going to cop to it: we are better than a whole hell of a lot of people and we pass judgement on them all the time and so does everyone else, especially the kind of people who would never step foot on an MTA bus, which is Jack Young and MVBA’s Jason Curtis and probably you, too.

And that’s okay. It’s would be disingenuous and unbearably smug to pretend that all transit users are created equal and we’re all singing Wheels on the Bus as we roll down Sesame Street. One of the main reasons why Baltimoreans, even in the dense inner city neighborhoods the Circulator serves cling so tightly to their cars and use them for nearly every trip is because they don’t like sharing buses with poor people, whether they admit it or not. We can’t blame them. We don’t like it either, but our own tolerance for it is just high enough that we sometimes choose an MTA bus over some other mode. As someone with a decent income and an able body we’ve always got that choice. We could buy a car tomorrow. Every day we actively choose not to.

Make no mistake: there is a wide perception that the Circulator is the Rich People Bus. This is accurate too. While you do find all sorts of people riding the Circulator it doesn’t take very long to notice that there is a much higher percentage of tourists, Mount Vernon college students, office workers and Fell’s/Fed gentrifiers.

These are called Choice Commuters and basically they tend to be a whole lot younger, whiter and richer than the average ridership on an MTA bus. This is not our imagination. For more on choice commuters, captive commuters, race, class and bus snobbery we strongly recommend this 2012 Citylab article which focuses on cities like LA, Atlanta and others where bus ridership has a very similar makeup to Baltimore’s. It even ends by acknowledging that DC’s Circulator is successful precisely because it is unique in being able to serve both rich white people and poor black people.

At this point we’ll give a reminder of what Baltimore’s racial history is and how its gentrification patterns look on a map. Below is a map of Baltimore’s 2010 census data broken down by race. Just for shits and giggles we’ve drawn on an overlay of the Circulator’s four bus routes.

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Obviously, blue dots represent black people on this map and green dots are white people. The Circulator doesn’t pass through too many blue dots, does it?

So when we read that someone like the Midtown-Belvedere Association’s Jason Curtis is making idiotic statements like “I don’t think a dollar’s going to break the bank” what we actually hear is “Oh my God the White People Bus isn’t white enough! Homeless people don’t have any money so let’s charge a buck because I can’t fucking stand them and I don’t want them coming up to midtown from under the JFX.”

What we’re sure Curtis doesn’t know because he doesn’t ride buses is that the Circulator in Baltimore has actually been very successful in its four years of operation in attracting choice commuters. Yearly increases in ridership and the extension of the purple line attest to this. Speaking as a choice commuter we can tell you that a $1 fare would have prevented us from taking literally every single Circulator trip we’ve ever made. It doesn’t go far enough for many to make a round trip from home without some other means of conveyance. We use it primarily because it shares stops with many MTA buses and because we can hop on for free. Others use it because they don’t want to give up a parking space, or pay for parking downtown, or just don’t want to walk a mile.

It’s also important to note that a $1 fare can easily turn into a $4 trip if one wants to go from, say, Mount Vernon to Fell’s Point. An MTA day pass is $3.50 and lets you ride buses, light rail and the subway all day long.

Then there’s the cherry on top of the sundae, a rhetorical flourish so inspired it should be carved onto Jason Curtis’ tombstone: “We shouldn’t be giving anything away for free with the taxes we have.”

We’re not sure why the Sun’s editors left this line in, but we can only assume it’s because they ride the Circulator to have lunch sometimes and they wanted to make Curtis look bad. The very same article where this quote appears explains that the Circulator costs $7 million a year and that $6 million of that is funded by a set-aside from the city’s parking taxes. Not parking tickets mind you, it is funded by the taxes the city charges to operators of parking lots and garages, whose customers are primarily tourists and office workers who live outside the city. The logic here is that people from outside the inner city who come here and crowd traffic and stress downtown infrastructure make up for it by funding a nice amenity for people who live near downtown so that they don’t have to pay for it themselves. (The other $1 million is not funded by city taxes either.)

In suggesting that The Charm City Circulator should be fare-financed to any degree we believe that Jack Young and possibly others in city hall have designs on that $6 million dollars and that they’re laying the groundwork to steal it from the Circulator the same way the mayor recently stole $3 million in community impact funds to move a steam pipe from under the entrance to downtown’s casino. Does anyone think parking taxes would go down if the Circulator were magically self-financed?

In a turn of events that should be surprising to no one, the owner of that steam pipe is Veolia, which also operates the Circulator. According to the Baltimore Brew Veolia “forced” the city to pay for that relocation.

We’re not sure how a private company ‘forces’ the citizens of a city in which it does business to do anything. It’s also important to note that “board of estimates” means Jack Young for the purposes of that article. He is the president of the board of estimates. What we take away from that is that he is too big a pussy to stand up to Caesar’s, and too big a pussy to stand up to Veolia, just like he’s been too big a pussy to stand up to Michael Beatty and John Paterakis and anybody else with a few million bucks in their pocket.

As that first Sun article pointed out, Veolia’s circulator contract expires next year and it is obvious that Young is laying the groundwork to play political hardball at the literal expense of downtown transit riders. Not only is this bad public policy and bad business, it’s bound to fail because Jack Young is, at the end of the day, an ineffectual pussy.

How to Sync an MLB Radio Broadcast to Your TV

Orioles fans are a bit spoiled with the quality of broadcasting available locally. The MASN crew covering the Orioles was recently ranked third of 30 MLB teams in a nationwide fan poll at Awful Announcing, with only the legendary broadcasters Vin Scully and Jon Miller between them and the top spot. When you factor in the talents of Fred Manfra and Joe Angell on the radio, it’s fair to say that our broadcasts combined are arguably the best in the business and it’s easy to understand why the fans here love them so much.

So it’s not just our imagination that when our team plays games with national coverage the broadcasting is terrible. For reasons we won’t go into here national coverage is always objectively worse than almost any local broadcast team and when the gulf in knowledge and talent is as wide as it is between MASN and the networks the Baltimore Homers get fed up pretty quickly. Personally, we think the TBS crew that covered the O’s-Tigers ALDS series was tolerable, and was much better than what’s featured on ESPN or FOX. But given a choice we’d much rather hear the audio from WBAL radio.

Unfortunately for all of us, a typical game’s video feed is broadcast on a delay so far behind the audio that it’s not feasible to simply turn down the TV and listen to the radio. But with a little know-how and ingenuity it is possible to synchronize a radio broadcast to your TV’s picture. You’ve probably already got most of the required equipment at home, and while the steps aren’t entirely simple, they’re not overly complicated either. Here today to walk us through them is guest contributor Brian Tetreault:

How to sync your radio with your TV

Are you a fan of your local radio broadcasters and want to hear them when your team is on TV? Just fire up the radio, mute the TV audio and enjoy, right? Not so easy – most radio and TV audio are not synchronized, sometimes off by a minute or more. That can make for an anticlimactic experience when you hear the great play before you get to see it.
You can use your existing radio and your computer to solve this problem and get the detailed and friendly local radio broadcast instead of the insipid TV hairdos.

    What you need:
    – Source radio with audio output
    – Audio cable with connectors for radio output and computer input
    – Computer (I use Mac, PC should work) with audio input
    – Delay software
    – Amplifier & speakers (optional)
    – Audio cable for computer output and amplifier input (optional)

    1. Get delay software and install it on your computer. You can use Garage Band (included free on some Macs) or download something like:
    BatCrack (Mac, $0.99)
    Radio Delay (PC, free)
    Google is your friend here to find others.

    2. Connect audio output of source radio to input of computer. Usually a double ended 1/8″ male-male cable will do. You may want it to be long (6 ft or so) because interference from the computer can affect radio reception – a longer cable will allow you to get good separation between the radio and computer. I hear that some newer computers don’t have analog audio inputs anymore but there are USB audio adapters available. Google will help with this as well. (Ed. note: using the MLB At Bat smartphone app as the audio source will connect the same way and produce perfect reception.)

    3. Check that audio from the source radio is making it to the computer. Most apps have the ability to show graphically that audio is being received; the audio will also be heard through the computer speakers. This may require selecting the source from pull down menus, or adding an input from a menu of sources. You may also need to select an output as well.

    4. Configure the delay. In Garage Band, you need to add audio effects – one of which is delay (you an add reverb or other effects if you like…). However, the max delay with each effect is limited (5 sec, IIRC). So you need to “chain” the effects; i.e., run the audio through delay 1 then to delay 2, etc. This can be cumbersome and I believe there are limitations on the number of effects, so Garage Band may not be the best solution, even if it is free. It’s also overkill IMHO for a relatively simple desired result. Simple delay software will allow you to just add a delay of any length. Turn down the TV audio, and start with a reasonable delay (30 sec) and then wait for the game to start to fine-tune the adjustment.

    5. Decide if you want to listen through the computer speakers, or send the audio to an eternal system (i.e., your stereo amplifier and speakers adjacent to your TV, right?). If so, you’ll need another cable to go from the computer audio output to the amplifier input. This may require a 1/8″ male-to-phono plug or other connector to the Auxiliary input on your amplifier. Newer amps have 1/8″ inputs conveniently located on the front of the box. You may also have to select a different output for the delayed audio other than the computer speakers.

    6. Adjust the delay. On the first few plays of the game listen for a distinctive sound that you can correlate with the TV visuals: the ball hitting the catcher’s mitt, quarterback play call at the snap, or something else. Then fine turn the delay – BatCrack allows a simple entry of seconds of delay; other software may have sliders or menu selections of delay values. I listen to the radio, hear the ball hit the catcher’s mitt then measure the number of seconds until I see it on TV (using the clock on my computer). Then enter the delay and voila – they’re synced.

    7. Enjoy Joe and Fred (or whoever your guys are) calling the game rather than the out-of-town dolts who don’t know or care about your team! You may want to further fine-tune the delay as you watch, but if you get within 0.5 sec you will probably not notice a difference – the human brain does a great job of matching up different sensory input even with a bit of latency between them. Just be prepared to notice how paltry the TV coverage is – not just the lame audio commentary, but also the visuals. You will be dismayed how much time is given to worthless shots: tight close-ups of players when what is needed is an overview of the field, way too many fan reactions, and even missed plays that the radio guys describe clearly.

    There may be instances where the desired audio is delayed in respect to the TV video. I have not had this experience (other than with the MLB At Bat audio, which is often many minutes behind the broadcast video), but I understand that some DVRs can be set to delay the video to sync with the audio.

(Ed. note: here’s an explanation of how to do this more easily with a Roku 3 box.)


Brian Tetreault is a lifelong Orioles fan and Baltimore resident who dabbles in technology and radio both for fun (KB3UZH) and professionally (maritimespatial.com). You can follow him on Twitter at @bjtetreault.

U+N FEST 3 @ Ottobar This Weekend

This weekend Baltimore’s Unregistered Nurse Booking returns to the Ottobar with their third annual U+N Fest. We’re going to let the poster do the talking for this one. Not much else we can add here. This lineup is such that either day is bound to offer bands you like playing alongside bands you maybe haven’t checked out yet. With two stages set up, the rock just ain’t gonna stop.

Tickets are $13 a day or $20 for both days at MissionTix and there will be 2-4-1 drinks until 9:00, which is more bang for your showgoing buck than you’ll get anywhere. You could even go to Virgin FreeFest and pay more for parking than this fest will run you. If you’re in Baltimore and don’t come by the Ottobar at some point this weekend, you’re officially not punk anymore.

Here’s some multimedia to whet your appetite…

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FreeFall Baltimore Begins Tomorrow

This time last year the Chop was, to put it bluntly, dead broke. After spending an entire Summer loafing leisurely we were suddenly and unexpectedly prevented from going back to sea for a few months more for reasons we won’t go into here. So all of our entertainment at that point had to be cheap. Like really cheap. Like Free. Fortunately FreeFall Baltimore came through for us, and we were able to get out and see fun stuff and do interesting things without paying a dime.

This year we find ourselves at home for all of October as well, and we’ll definitely be hitting up at least a few of the FreeFall events coming up this month. We’ve got to say though, after reviewing the offerings on tap this year we’re a little disappointed. The events list seems a little light this year. The handful of theater events and most of the ship tours are already booked up solid and some favorite institutions which have participated in the past like the AVAM and the B&O Railroad Museum are conspicuously absent from this year’s list. All in all the month is kind of lackluster.

But there are still a few interesting opportunities to enjoy special events and see some things for free that usually cost money. Below is our own personal to-do list. There’s plenty of other things like yoga classes and family events for people who don’t have the exact same very narrow and specialized interests as the Chop so check out the FreeFall website for more.

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The Baltimore Museum of Art is always free, but in months that aren’t October they charge admission to view the current exhibition, which at the moment is a collection of prints called On Paper: Alternate Realities which can be seen Wednesday through Sunday all month long. Register here.

The USS Torsk submarine docked adjacent to the Aquarium is offering free tours with an explanation and discussion of WWII era sub attack tactics at 6 pm on October 1 and October 29. Register here for both dates.

The Baltimore Museum of Industry offers free admission days on October 5th and 14th. If you’ve never seen the museum you should really make a point of getting down there one of those days. The BMI is one of the best attractions in Baltimore and is something of a hidden gem that too many tourists and locals alike pass over. Its regular $12 price of admission makes it a bargain any day of the year when compared to attractions like the Aquarium or Science Center. No registration required.

Pints Fest is an outdoor happy hour in Downtown’s Center Plaza from 5-8 pm Friday, October 10. Only the samples are free but at $2 a pint for local craft options like Union, Public Works, Full Tilt and more this is one of the few happy hours around charging actual Happy Hour prices. There’s also games, live music, food and buck-a-shuck oysters. no registration required.

Open Studio Tours are a favorite annual event taking place the weekend of October 11 & 12 from 10-6. Artists all over the city open their studios to visitors, who can make the event as big or small as they like by visiting only one or trying to see them all (good luck with that). Click on school33.org for more information and maps. No registration required.

Doors Open Baltimore is another self-tour/open house event on October 25 focusing on the city’s industrial architecture. We wish we could tell you more but the event page is sublimely vague. Register here and figure it out if you can. Let us know if you do.

The 7th Annual Canton Oktoberfest Celebration has been going on for 7 years, apparently, and has completely flown under our radar that whole time. This year it’s Sunday October 26 from noon to five. It’s a block party where you daydrink German beer with Canton Yuppies on Dillon Street. Ok. Sure. Why not? No registration required.

The Jewish Museum of Maryland is on the way to Canton (unless, you know, you live in a different part of town that we do) and is also holding their free admission day on Sunday the 26th. At 1:00 pm they’re going to give a presentation on The Golem. How much do you know about Golem? Not enough, we’d bet. Register here.

Geo-Poe is a literary urban geocaching adventure that looks to be cooked up by the brains behind the Smile Hon, You’re in Baltimore zine. Writers (some very good ones) write Poe-esque stories and stash them around town for you to find and read in an event that looks to be tailor made fun for bicyclists. Like the Open Doors tour above it’s short on specifics. We’re not sure if you’ve got all month to find them or if you’re meant to do it in a day but the event does culminate with a reading at the site of Poe’s grave at 7 pm October 29. Register here.